I'm even going to pretend to understand how the five segments of this piece conjure a narrative, or even the relationship between them. So instead, here are some moments I found thought-provoking. I. Frampton relates his friend's disturbing, recurring two-part nightmare: he lives two entire lifetimes. But each one feels like half of a whole rather two experiences lived fully. In the first, he is an heiress who must spend every moment of her life being surveilled. In the next, he is the heir to that heiress's fortune, but he must spend his life watching the footage. All of his life experiences are derived through watching those films. This made me consider the two extreme, camera-based lives of the imagined individuals. One, with whom the camera's gaze has been present since birth, and the other, whose entire worldview was informed solely by the camera. II. Mount Fujiyama is apparently visible from any place in Japan. Thus, any perception includes this. Not exactl...
Simulacrum: image or representation of someone or something Borges fable: "On Exactitude in Science," (1946) short story by Jorge Luis Borges about the map-territory relation. In an empire where cartography becomes an exact science, a map is made that portrays every element of the country with perfectly accurate detail. A map that precedes what it depicts, and therefore causes the territory's rise, raises a simple but valuable dilemma of what is representation and what is real. The author says the sovereign difference between the representation and the real is what gives that abstraction charm. In this case, mapping is simply equating the real into a system of signs of the real. "The real will never have a chance to produce itself." It's like removing death as even an option in life. Simulate (from text): to feign to have what one doesn't have Dissimulate (from text): to pretend to not have what one has If one were to simulate an illness, he wo...
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