Shana Moulton's New Age

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A Pentagram for Conjuring the Narrative

I'm even going to pretend to understand how the five segments of this piece conjure a narrative, or even the relationship between them. So instead, here are some moments I found thought-provoking. I. Frampton relates his friend's disturbing, recurring two-part nightmare: he lives two entire lifetimes. But each one feels like half of a whole rather two experiences lived fully. In the first, he is an heiress who must spend every moment of her life being surveilled. In the next, he is the heir to that heiress's fortune, but he must spend his life watching the footage. All of his life experiences are derived through watching those films. This made me consider the two extreme, camera-based lives of the imagined individuals. One, with whom the camera's gaze has been present since birth, and the other, whose entire worldview was informed solely by the camera. II. Mount Fujiyama is apparently visible from any place in Japan. Thus, any perception includes this. Not exactl...
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The Precession of Simulacra

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Immersed in a single channel - abby

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